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It’s easy to work with her because she’s so fast and efficient. We like to keep things a little different when we work together, bringing her orchestral background and my background, which is different. Solange did a lot of work on it before she even came to see me and asked me to be a part of it.
She can hear anything, she can play anything, she can do anything. We just think about what kind of instrumentation we want to use.
He is a very humble person, even though he has been around that long and has had so many hit songs. I guess with the rockier stuff, they got to be ready to rock this time round [laughs].
I would love to go to smaller places in the UK such as Manchester and Liverpool and play there.But that’s my challenge: every day I’m trying different instrumentation. I guess I’ve never listened to a whole Drake album! I was talking to one of my British friends, and he was like “God willing, I’m gonna do this tomorrow.” And I was like, hey, that’s the title of my album! Plus, aside from having an awesome voice and playing a mean guitar, he’s behind some of my favorite R&B/soul/neo-soul joints over the years.He’s worked with just about everyone, and there hasn’t been a song he’s contributed his talents to that I haven’t appreciated.
Here are just a few of his many musical contributions to your ears.
I grew up playing piano lessons and [in] jazz band, I did a lot of Broadway stuff in school and I had great teachers there. She said, “I want you to score this movie, , these are just the beginning. People really need to have something that they can call theirs. I’ve been working with other people for a long time.