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these performers brought jùjú from the rural poor to the urban cities of Nigeria and beyond. Dairo became perhaps the biggest star of African music by the '60s, recording numerous hit songs that spread his fame to as far away as Japan. Mensah, easily the most popular highlife performer of the 1950s, toured Igbo-land frequently, drawing huge crowds of devoted fans.In 1963, he became the only African musician ever honoured by receiving membership of the Order of the British Empire, an order of chivalry in the United Kingdom. Among the Igbo people, Ghanaian highlife became popular in the early 1950s, and other guitar-band styles from Cameroon and Zaire soon followed. Bobby Benson & His Combo was the first Nigerian highlife band to find audiences across the country.Fuji was named after Mount Fuji in Japan, purely for the sound of the word, according to Alhaji Sikiru Ayinde Barrister.Fuji was a synthesis of apala with the "ornamented, free-rhythmic" vocals of ajisari devotional musicians and was accompanied by the sakara, a tambourine-drum, and Hawaiian guitar.Fuji has been described as jùjú without guitars; ironically, Ebenezer Obey once described jùjú as mambo with guitars.However, at its roots, fuji is a mixture of Muslim traditional were music'ajisari songs with "aspects of apala percussion and vocal songs and brooding, philosophical sakara music"; of these elements, apala is the fundamental basis of fuji.The video shows Jude threatening to beat up Peter, who was behind the camera. The African hemiola style, based on the asymmetric rhythm pattern is an important rhythmic technique throughout the continent.
At the same time, apala's Haruna Ishola was becoming one of the country's biggest stars.
These included Rocafil Jazz and Prince Nico Mbarga, whose "Sweet Mother" was a pan-African hit that sold more than 13 million copies, more than any other African single of any kind.